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On Death and the Making of Memorials

It's a huge subject, death. I know this, and yet I still want to write about it today.

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It’s a huge subject, death. I know this, and yet I still want to write about it today.

Two stories from StoryCorps that moved me recently: Brian Korbon: http://www.npr.org/templates/story/story.php?storyId=120580047 + http://storycorps.org/listen/stories/gregg-korbon-and-his-wife-kathryn/

David Shea: http://storycorps.org/listen/stories/david-shea-and-alice-doyle/

A Poor Wayfaring Man of Grief: “These deeds shall thy memorial be,

fear not, thou didst them unto me.” Reznikoff:

The war may, however, have been the reason why he printed, on the press which he had installed in the basement of his parents’ home in Brooklyn,a small selection of his poems, which he called Rhythms. This little book appeared in 1918, and among the verses was “On One Whom the Germans Shot,” lines inspired by Ezra Pound’s memorial to his gifted friend, the sculptor Henri Gaudier-Brzeska, killed in battle in France in 1915: How shall we mourn you who are spilled and wasted, Gaudier-Brzeska, sure that you would not die with your work unended, as if the iron scythe in the grass stops for a flower? When he reprinted the poem in 1920 he dropped the title, and in 1927 he dropped Gaudier-Brzeska name, but the remaining lines (which Zukofsky praised in the February 1931 “Objectivists’ Issue” of Poetry) are evidence of the thoughts of death which were haunting so many young men like Reznikoff during the war.

—from http://www.poetryfoundation.org/bio/charles-reznikoff

J.V. Cunningham

The art of obituaries. Economist book of obituaries and others

beside the art of elegy—another day.

Grace Paley’s mother: http://readashort.blogspot.com/2008/06/mother-by-grace-paley.html

Shakespeare, St. Crispin’s day?

Epitaphs for Niedecker: For L.N. by Allen Ginsberg as her breath was now her body, lonely poet far from cities one in the world. Bunting for Niedecker: To abate what swells / use ice for scalpel. / It melts in its wound / and no one can tell / what the surgeon used. / Clear lymph, no scar, / no swathe from a cheek’s bloom Niedecker for Bunting: “The Ballad of Basil”

They sank the sea All land enemy

He saw his boats stand and he off the floor

of that cold jail (would not fight their war)

sailed anyway Villon went along Chomei

Dante and the Persian Firdusi—

rigging for his own singing

http://media.sas.upenn.edu/pennsound/authors/Niedecker/Niedecker-Lorine_02_The-Ballad-of-Basil_Factory-School-Archive_11-1970.mp3

Kubler-Ross On death and dying

Vollmann rising up rising down

Becker’s Denial of Death

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